The Chorus seems terrified and helpless in this section, and its speech at lines 526–572 is fraught with uncertainty and anxiety. Though, like Oedipus, the Chorus cannot believe the truth of what Tiresias has said, the Chorus does not believe itself to be untouchable as Oedipus does, consisting as it does of the plague-stricken, innocent citizens of Thebes. The Chorus’s speech is full of images of caves, darkness, lightning, and wings, which suggest darkness, the unknown, and, most significantly, terror striking from the skies. The Chorus’s supplications to the benevolent gods of lines 168–244 are long past. The gods are still present in this speech, but they are no longer of any help, because they know truths that they will not reveal. Thebes is menaced rather than protected by the heavens.
Jane Austen's Pride and Prejudice begins with the proposition "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In fact, it soon becomes clear that Austen means the opposite: women (or their mothers) are always in search of, and desperately on the lookout for, a rich single man to make a husband. The irony deepens as the story promotes this romance and ends in a double marriage proposal. "Austen's comic irony emerges out of the disjunction between Elizabeth's overconfidence (or pride) in her perceptions of Darcy and the narrator's indications that her views are in fact partial and prejudicial."